Choosing the structure of an organization is an
important step in the team’s success and requires plenty of consideration
beforehand. The effects of the decision include, but are not limited to, how
well the team will be able communicate, how the team makes decisions, and what responsibilities
each team member will have. That being said, the structure can make or break a
team. To name a few ways that structure impacts results, communication may be
easy or broken, decision makers may have too much control or not enough, and
members may find themselves overloaded with things to accomplish or they may
find themselves under-worked.
As far as movie teams go, few are as currently
relevant (and profitable) as “The Avengers.” For those of you who don’t know,
The Avengers that I would like to discuss are the movie adaptations of a team of
Marvel comic book superheroes. Lately, there have been two Avengers films, but
having not yet seen the second, I will not be talking about that one here.
Most members of this team have previously
appeared as individual crime fighters in their own movies. They were presented
mostly as solitary figures; few of these characters were experienced in teamwork
and perhaps even fewer would accept help even when it was offered. Their
separate storylines each began with them being extremely stubborn about not
accepting help and ended with them being mostly stubborn about not accepting
help.
The plot of the movie is all about organizing a
team. As I said, none of these members were open to teamwork previously, but when
danger shows its face, they’re forced into cooperation regardless of their
strong objections. They tended to see each other as inferior relative to
themselves, and each of them also believed they knew the right course of
action. The first hour or so of the film involves them fighting each other and getting
in each other’s way despite all having the same general goals: justice and the
safety of mankind.
There is a “boss” in the group: Samuel L. Jackson’s
character is responsible for bringing the team together in the first place. He
runs the defense organization known as “S.H.I.E.L.D.,” but deciding he needed
something more than that, he creates this additional division of superheroes. However,
his control over these superheroes is minimal at best despite how he’d prefer
it to function. This division is very loosely connected to the rest of the
S.H.I.E.L.D. organization, and communication is very minimal across that
structural gap.
The superhero organization is most akin to
Mintzberg’s adhocracy which is described as “a loose, flexible, self-renewing
organic form tied together mostly through lateral means” (Bolman and Deal 82). The
laterally-organized team very loosely follows procedures or policies, and their
organization was created specifically to defeat the film’s antagonist. There’s
also plenty of the ambiguity and incoherence that Mintzberg describes this
structure with. Upon completion of the mission, the team separates.
The group also resembles the All-Channel Network
from “Reframing Organizations,” chapter five. The team doesn’t exhibit much hierarchy.
The boss exists but more of a guide than somebody in control. The group members
all communicate directly and decisions are made on consensus. It’s also
arguably similar to a basketball team since the organization’s success results
from mutual understanding and cohesiveness.
The team can also be related to Katzenbach and
Smith’s features of high-performance teams. I’ll go down the list to cover them
all. The team’s purpose is shaped by the demand of defending the world from the
bad guy’s plot for world-domination. Their only real performance goal would be
to defeat the antagonist and save as many lives as possible. The team is of
nine people if you include support characters and the “boss,” so it’s a manageable
size. All the members are diverse and have different skills which all mesh
together nicely. A major part of the story involves the characters developing
commitment to working relationships. Finally, they all think of themselves as
collectively accountable. They blame each other often early on, but gaining
this accountability is part of the plot’s progression (108).
Many of the successful qualities in the “Reframing
Organizations” are depicted in this team. I’d also like to point out how
relevant it is that the team is highly unsuccessful for most of the movie. They
all have their own incentives and ways of doing things. They fail to cooperate
in almost everything they do, and they are highly resistant to structure. This depicts
some realism in the film that successful teams don’t happen immediately. There
will be friction and resistance. Sacrifices and compromises may be slow to take
place. It takes time to create efficiency in the system, and the perfectly
efficient system doesn’t exist.
Bolman, Lee, and Terrence Deal. Reframing Organizations: Fifth Edition.
Jossey-Bass, 2013. Print.
The Avengers, really? Do you think there are lessons for us regarding how teamwork happens elsewhere that can be learned from this example? I must say I have my doubts. If individual members of the team are superheroes, doesn't it make it seem like anything is possible? Even with the caveat you added that they didn't collaborate for much of the movie, these sort of films have to have a good ending, right? Do you think the necessity to collaborate always wins eventually?
ReplyDeleteI should add here that I read Marvel comics when I was a kid and I've watched some of the Ironman movies more recently. I'm kind of satiated with the genre now.
In any event, and to try to offer up something constructive, if these movies interest you you might consider their production as a team activity. The interaction between the director, the special effects folks, and the actors would make for an interesting consideration of team activity. And there is real product being produced - the movie. You would have had to do some background reading to get at that sort of thing, and maybe much of it would remain hidden to you, but still that would be a team effort. One of the things about the movies I always find interesting is that they given all those credits at the end of the film. Why do that if people are getting paid for their work. The audience can identify with the actors and maybe the director, but the credits cover many other people as well. Just thinking of that would be an interesting angle to consider.